Those 25 dancers we worked with for a day, in as highly productive a way as possible - a long class, a period of teaching bits of the repertory - in fact I didn't teach Bank, I've used parts of Oil and Water.

This aided in the execution of movement exactly how Siobhan Davies wanted it. Davies saw choreography as being self-exploration believed in her dancers' individual inner impules. She enjoys using certain sounds instead of pieces of music and then Siobhan Davies adds them together.

Her works White Man Sleeps and Wyoming have been included on the dance GCE A-Level syllabus. First training in art Davies was one of the first year's intake of full-time students at the London School of Contemporary Dance.