You don't have to worry about being a number one, number two, or number three. Numbers don't have anything to do with placement. Numbers only have something to do with repetition.

Electric guitars were prominent but the music was at heart rather similar to his earlier work. A number of bassists and drummers (including Haden Jimmy Garrison and Elvin Jones) appeared and Dewey Redman joined the group usually on tenor saxophone. I think he's jiving baby.

Coleman's timbre is easily recognized: his keening crying sound draws heavily on blues music. He was one of the major innovators of the free jazz movement of the 1960s.