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For more than half a century I have tried to confront greatness directly, hardly a fashionable stance, but I see no other justification for literary criticism in the shadows of our Evening Land. Over time the strong poets settle these matters for themselves, and precursors remain alive in their progeny. Readers in our flooded landscape use their own perceptiveness. But an advance can be of some help. If you believe that the canon in time will select itself, you still can follow a critical impulse to hasten the process, as I did with the later Stevens, Ashbury, and, more recently, Henri Cole.


Harold Bloom


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About Harold Bloom





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After Beckett's death in 1989 Bloom has pointed towards other authors as the new main figures of the Western literary canon. "I saw the Oxford English Dictionary there for the first time" he said many years later. I purchased and read Fearful Symmetry a week or two after it had come out and reached the bookstore in Ithaca New York.

These theories dominated his writing for a decade after which he began to focus on what he named "religious criticism" in books such as The Book of J (1990) and The American Religion (1992). He has edited hundreds of anthologies for the Chelsea House publishing firm.

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