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That we are not totally transformed, that we can turn away, turn the page, switch the channel, does not impugn the ethical value of an assault by images. It is not a defect that we are not seared, that we do not suffer enough, when we see these images. Neither is the photograph supposed to repair our ignorance about the history and causes of the suffering it picks out and frames. Such images cannot be more than an invitation to pay attention, to reflect, to learn, to examine the rationalizations for mass suffering offered by established powers. Who caused what the picture shows? Who is responsible? Is it excusable? Was it inevitable? Is there some state of affairs which we have accepted up to now that ought to be challenged? All this, with the understanding that moral indignation, like compassion, cannot dictate a course of action.


Susan Sontag


#compassion #photography #reflection #photography



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"
Ellen Lee accused Sontag of plagiarism when Lee discovered at least twelve passages in In America that were similar to or copied from passages in four other books about Helena Modjeska without attribution. The last two novels were set in the past which Sontag said gave her greater freedom to write in the polyphonic voice. She elevated Camp to the status of recognition with her widely-read 1964 essay Notes on 'Camp' which accepted Art as including common absurd and burlesque themes.

". Sontag was active in writing and speaking about or travelling to areas of conflict including during the Vietnam War and the Siege of Sarajevo. Beginning with the publication of her 1964 essay "Notes on 'Camp'" Sontag became an international cultural and intellectual celebrity.

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