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…there is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there. It is hard for me to make sense on any given level. Myself is fabricated, an aberration. I am a noncontingent human being. My personality is sketchy and unformed, my heartlessness goes deep and is persistent. My conscience, my pity, my hopes disappeared a long time ago (probably at Harvard) if they ever did exist. There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it, I have now surpassed. I still, though, hold on to one single bleak truth: no one is safe, nothing is redeemed. Yet I am blameless. Each model of human behavior must be assumed to have some validity. Is evil something you are? Or is it something you do? My pain is constant and sharp and I do not hope for a better world for anyone. In fact, I want my pain to be inflicted on others. I want no one to escape. But even after admitting this—and I have countless times, in just about every act I’ve committed—and coming face-to-face with these truths, there is no catharsis. I gain no deeper knowledge about myself, no new understanding can be extracted from my telling. There has been no reason for me to tell you any of this. This confession has meant nothing….


Bret Easton Ellis


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Did you know about Bret Easton Ellis?

In 2010 Ellis released the sequel to his debut novel in the form of Imperial Bedrooms. In a 2010 interview however he claims to have "lied" about this explanation. Ellis records a fictionalized version of his life story up until this point in the first chapter of Lunar Park (2005).

He was at first regarded as one of the so-called literary Brat Pack which also included Tama Janowitz and Jay McInerney. In later years Ellis' novels have become increasingly metafictional. Mary Harron's adaptation of American Psycho was released to predominantly positive reviews in 2000 and went on to achieve cult status.

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