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Bradley is one of the few basketball players who have ever been appreciatively cheered by a disinterested away-from-home crowd while warming up. This curious event occurred last March, just before Princeton eliminated the Virginia Military Institute, the year's Southern Conference champion, from the NCAA championships. The game was played in Philadelphia and was the last of a tripleheader. The people there were worn out, because most of them were emotionally committed to either Villanova or Temple-two local teams that had just been involved in enervating battles with Providence and Connecticut, respectively, scrambling for a chance at the rest of the country. A group of Princeton players shooting basketballs miscellaneously in preparation for still another game hardly promised to be a high point of the evening, but Bradley, whose routine in the warmup time is a gradual crescendo of activity, is more interesting to watch before a game than most players are in play. In Philadelphia that night, what he did was, for him, anything but unusual. As he does before all games, he began by shooting set shots close to the basket, gradually moving back until he was shooting long sets from 20 feet out, and nearly all of them dropped into the net with an almost mechanical rhythm of accuracy. Then he began a series of expandingly difficult jump shots, and one jumper after another went cleanly through the basket with so few exceptions that the crowd began to murmur. Then he started to perform whirling reverse moves before another cadence of almost steadily accurate jump shots, and the murmur increased. Then he began to sweep hook shots into the air. He moved in a semicircle around the court. First with his right hand, then with his left, he tried seven of these long, graceful shots-the most difficult ones in the orthodoxy of basketball-and ambidextrously made them all. The game had not even begun, but the presumably unimpressible Philadelphians were applauding like an audience at an opera.


John McPhee


#hard-work #practice #respect



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But some of McPhee's most memorable work describes people who work out of the limelight: a builder of birch bark canoes (Henri Vaillancourt) a bush pilot and a French-speaking wine maker in the Swiss army. One of his roommates at Princeton was 1951 Heisman Trophy winner Dick Kazmaier. John Angus McPhee (born March 8 1931) is an American writer widely considered one of the pioneers of creative nonfiction.

McPhee avoided the streams of consciousness of Wolfe and Thompson but detailed description of characters and appetite for details make his writing lively and personal even when it focuses on obscure or difficult topics. John Angus McPhee (born March 8 1931) is an American writer widely considered one of the pioneers of creative nonfiction. "
Unlike Tom Wolfe and Hunter Thompson who helped kick-start the "new journalism" in the 1960s McPhee produced a gentler literary style of journalism by incorporating techniques from fiction.

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