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There are at least two ways to believe in the idea of quality. You can believe there's something ineffable going on within the human mind, or you can believe we just don't understand what quality in a mind is yet, even though we might someday. Either of those opinions allows one to distinguish quantity and quality. In order to confuse quantity and quality, you have to reject both possibilities. The mere possibility of there being something ineffable about personhood is what drives many technologists to reject the notion of quality. They want to live in an airtight reality that resembles an idealized computer program, in which everything is understood and there are no fundamental mysteries. They recoil from even the hint of a potential zone of mystery or an unresolved seam in one's worldview. This desire for absolute order usually leads to tears in human affairs, so there is a historical reason to distrust it. Materialist extremists have long seemed determined to win a race with religious fanatics: Who can do the most damage to the most people?


Jaron Lanier


#personhood #quality #quantity #religion #religion



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Did you know about Jaron Lanier?

Internet2 visiting scholar (1997–2001)
From 1997 to 2001 Lanier was the Chief Scientist of Advanced Network and Services which contained the Engineering Office of Internet2 and served as the Lead Scientist of the National Tele-immersion Initiative a coalition of research universities studying advanced applications for Internet2. Memberships
Lanier has served on numerous advisory boards including the Board of Councilors of the University of Southern California Medical Media Systems (a medical visualization spin-off company associated with Dartmouth College) Microdisplay Corporation and NY3D (developers of auto stereo displays). July 28–30 1992.

A pioneer in the field of VR Lanier and Thomas G. the first company to sell VR goggles and gloves. Lanier is also known as a composer of classical music and a collector of rare instruments; his acoustic album Instruments of Change (1994) features Asian wind and string instruments such as the khene mouth organ the suling flute and the sitar-like esraj.

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