It was not his nature to believe that he should engage in any kind of meddling or become actively involved in politics. His vocation lay in the fulfillment of a poetic mission, and he wanted to carry that mission out to the last detail, conscientiously and freely. In this sense he cursed "the disturbance of war," not because he overvalued his cultural role and saw his special poetic work endangered but because to him, in the final analysis, war meant the victory of barbarism, with the result that any kind of cultural work -- and therefore his, too -- could become involved in a bloody power struggle and be destroyed.
