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Of course, reading novels was just another form of escape. As soon as he closed their pages he had to come back to the real world. But at some point Tengo noticed that returning to reality from the world of a novel was not as devastating a blow as returning from the world of mathematics. Why should that have been? After much deep thought, he reached a conclusion. No matter how clear the relationships of things might become in the forest of story, there was never a clear-cut solution. That was how it differed from math. The role of a story was, in the broadest terms, to transpose a single problem into another form. Depending on the nature and direction of the problem, a solution could be suggested in the narrative. Tengo would return to the real world with that suggestion in hand. It was like a piece of paper bearing the indecipherable text of a magic spell. At times it lacked coherence and served no immediate practical purpose. But it would contain a possibility. Someday he might be able to decipher the spell. That possibility would gently warm his heart from within.


Haruki Murakami


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Did you know about Haruki Murakami?

Since 2000
Sputnik Sweetheart was first publiHaruki Murakamid in 1999 followed by Kafka on the Shore in 2002 with the English translation following in 2005. Murakami said "Each of us possesses a tangible living soul. It was chosen by the New York Times as a "notable book of the year".

He is considered an important figure in postmodern literature. Murakami's fiction often criticized by Japan's literary establishment is humorous and surreal focusing on themes of alienation and loneliness.

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