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On moonlight nights the long, straight street and dirty white walls, nowhere darkened by the shadow of a tree, their peace untroubled by footsteps or a dog's bark, glimmered in the pale recession. The silent city was no more than an assemblage of huge, inert cubes, between which only the mute effigies of great men, carapaced in bronze, with their blank stone or metal faces, conjured up a sorry semblance of what the man had been. In lifeless squares and avenues these tawdry idols lorded it under the lowering sky; stolid monsters that might have personified the rule of immobility imposed on us, or, anyhow, its final aspect, that of a defunct city in which plague, stone, and darkness had effectively silenced every voice.


Albert Camus


#night #plague #men



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About Albert Camus





Did you know about Albert Camus?

Soon after the event on 6 August 1945 he was one of the few French editors to publicly express opposition and disgust to the United States' dropping the atomic bomb in Hiroshima. His views contributed to the rise of the philosophy known as absurdism. To distinguish his ideas scholars sometimes refer to the Paradox of the Absurd when referring to "Camus's Absurd".

In an interview in 1945 Camus rejected any ideological associations: "No I am not an existentialist. Sartre and I are always surprised to see our names linked. In 1949 Camus founded the Group for International Liaisons within the Revolutionary Union Movement after his split with Garry Davis's Citizens of the World movement of which the surrealist André Breton was also a member.

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