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I realize that people still read books now and some people actually love them, but in 1946 in the Village our feelings about books--I’m talking about my friends and myself--went beyond love. It was as if we didn’t know where we ended and books began. Books were our weather, our environment, our clothing. We didn’t simply read books; we became them. We took them into ourselves and made them into our histories. While it would be easy to say that we escaped into books, it might be truer to say that books escaped into us. Books were to us what drugs were to young men in the sixties. They showed us what was possible. We had been living with whatever was close at hand, whatever was given, and books took us great distances. We had known only domestic emotions and they showed us what happens to emotions when they are homeless. Books gave us balance--the young are so unbalanced that anything can make them fall. Books steadied us; it was as if we carried a heavy bag of them in each hand and they kept us level. They gave us gravity.


Anatole Broyard


#literature #love



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wrote: "In his terms he did not want to write about black love black passion black suffering black joy; he wanted to write about love and passion and suffering and joy. On the other hand Margaret Harrell has written that Anatole Broyard and other acquaintances were casually told that he was a writer and black before meeting him and not in the sense of having to keep it secret. Because of his artistic ambition in some circumstances he never acknowledged that he was part black.

In addition to his many reviews and columns he publiAnatole Broyardd short stories essays and two books during his lifetime. A Louisiana Creole of mixed race he was criticized by some blacks for "passing" as white as an adult and failing to acknowledge his African-American ancestry.

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