Fragments of a vessel which are to be glued together must match one another in the smallest details, although they need not be like one another. In the same way a translation, instead of resembling the meaning of the original, must lovingly and in detail incorporate the original's mode of signification, thus making both the original and the translation recognizable as fragments of a greater language, just as fragments are part of a vessel.

Ursprung des deutschen Trauerspiels (Origin of German Tragic Drama 1928). A completed manuscript which Benjamin had carried in his suitcase disappeared after his death and has not been recovered. In 1917 he transferred to the University of Bern; there he met Ernst Bloch and Dora Sophie Pollak (née Kellner) (1890–1964) whom he later married.

His turn to Marxism in the 1930s was partly due to the influence of Bertolt Brecht whose critical aesthetics developed epic theatre and its Verfremdungseffekt (defamiliarisation alienation). Benjamin committed suicide in Portbou at the French–Spanish border while attempting to escape from the Nazis. Combining elements of German idealism or Romanticism Historical Materialism and Jewish mysticism Benjamin made enduring and influential contributions to aesthetic theory and Western Marxism and is associated with the Frankfurt School.