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We pass and leave you lying. No need for rhetoric, for funeral music, for melancholy bugle-calls. No need for tears now, no need for regret. We took our risk with you; you died and we live. We take your noble gift, salute for the last time those lines of pitiable crosses, those solitary mounds, those unknown graves, and turn to live our lives out as we may. Which of us were fortunate--who can tell? For you there is silence and cold twilight drooping in awful desolation over those motionless lands. For us sunlight and the sound of women's voices, song and hope and laughter, despair, gaiety, love--life. Lost terrible silent comrades, we, who might have died, salute you.


Richard Aldington


#war #life



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Early life
Aldington was born in Portsmouth the son of a solicitor and educated at Dover College and for a year at the University of London. Opening with a letter to the playwright Halcott Glover the book takes a variable but generally satirical cynical and critical posture and belabours Victorian and Edwardian cant. The Religion of Beauty: Selections from the Aesthetes (1950) anthology editor
Ezra Pound and T.

Richard Aldington (8 July 1892 – 27 July 1962) born Edward Godfree Aldington was an English writer and poet. Aldington was best known for his World War I poetry the 1929 novel Death of a Hero and the controversy arising from his 1955 Lawrence of Arabia: A Biographical Inquiry.

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