They rode out along the fenceline and across the open pastureland. The leather creaked in the morning cold. They pushed the horses into a lope. The lights fell away behind them. They rode out on the high prairie where they slowed the horses to a walk and the stars swarmed around them out of the blackness. They heard somewhere in that tenantless night a bell that tolled and ceased where no bell was and they rode out on the round dais of the earth which alone was dark and no light to it and which carried their figures and bore them up into the swarming stars so that they rode not under but among them and they rode at once jaunty and circumspect, like thieves newly loosed in that dark electric, like young thieves in a glowing orchard, loosely jacketed against the cold and ten thousand worlds for the choosing.

He won the Pulitzer Prize and the James Tait Black Memorial Prize for Fiction for The Road (2006). In a 2006 poll of authors and publiCormac McCarthyrs conducted by The New York Times Magazine to list the greatest American novels of the previous quarter-century Blood Meridian placed third behind only Toni Morrison's Beloved and Don DeLillo's Underworld. The book has grown appreciably in stature in literary circles.

Blood Meridian (1985) was among Time magazine's list of 100 best English-language books publiCormac McCarthyd between 1923 and 2005 and placed joint runner-up in a poll taken in 2006 by The New York Times of the best American fiction publiCormac McCarthyd in the last 25 years. Literary critic Harold Bloom named him as one of the four major American novelists of his time alongside Don DeLillo Thomas Pynchon and Philip Roth and called Blood Meridian "the greatest single book since Faulkner’s As I Lay Dying". All the Pretty Horses and The Road were also adapted as motion pictures.