Case had always taken it for granted that the real bosses, the kingpins in a given industry, would be both more and less than people... He'd seen it in the men who'd crippled him in Memphis, he'd seen Wage affect the semblance of it in Night City, and it had allowed him to accept Armitrage's flatness and lack of feeling. He'd always imagined it as a gradual and willing accommodation of the machine, the system, the parent organism. It was the root of street cool, too, the knowing posture that implied connection, invisible lines up to hidden levels of influence.

His thought has been cited as an influence on science fiction authors design academia cyberculture and technology. During this period he worked at various jobs including a three-year stint as teaching assistant on a film history course at his alma mater. " Literary critic Larry McCaffery described the concept of the matrix in Neuromancer as a place where "data dance with human consciousness.

After expanding on Neuromancer with two more novels to complete the dystopic Sprawl trilogy Gibson became an important author of another science fiction sub-genre—steampunk—with the 1990 alternate history novel The Difference Engine written with Bruce Sterling. His most recent novels—Pattern Recognition (2003) Spook Country (2007) and Zero History (2010)—are set in a contemporary world and have put his work onto mainstream bestseller lists for the first time. After spending his adolescence at a private boarding school in Arizona Gibson evaded the draft during the Vietnam War by emigrating to Canada in 1968 where he became immersed in the counterculture.