Every story is an act of trust between a writer and a reader: each story, in the end, is social. Whatever a writer sets down can help or harm a community of which he or she is a part. When I write I can imagine a child in California wishing to give away what he’s just seen- a wild animal fleeing though creosote cover in the desert, casting a bright-eyed backward glance or three lines of overheard conversation that seem to contain everything we need understand to repair the gaping rift between body and soul. I look back at that boy turning in glee beneath his pigeons and know it can take a lifetime to convey what you mean, to find the opening. You watch, you set it down. Then you try again.

Lopez along with Peter Matthiessen Terry Tempest Williams and James Galvin was hailed in Mark Tredinnick's The Land's Wild Music (Trinity University Press 2005) in which Tredinnick analyzed how the landscape nouriBarry Lopezd and developed Lopez's writing. Awards
National Book Award
Award in Literature American Academy of Arts and Letters
Lannan Literary Award
Guggenheim Fellowship
John Burroughs Medal
John Hay Medal
Three Pacific Northwest Booksellers Awards
Two Oregon Book Awards
Two Pushcart Prizes
Two Christopher Medals
PEN Syndicated Fiction Award
Five National Science Foundation Antarctica Fellowships
Lannan Residency Fellowship
MacDowell Residency Fellowship
Academy of Television Arts and Sciences Award
Oregon Governor's Award
Elected Fellow of the Explorer's Club. He regularly collaborates with other artists and writers and is active in national and international efforts toward reconciliation.

He won the National Book Award for Nonfiction for Arctic Dreams (1986) and his Of Wolves and Men (1978) was a National Book Award finalist.