Do you want to kill his love for you? What sort of existence will he have if you rob him of the fruits of his ambition, if you take him from the splendour of a great political career, if you close the doors of public life against him, if you condemn him to sterile failure, he who was made for triumph and success? Women are not meant to judge us but to forgive us when we need forgiveness. Pardon, not punishment, is their mission. Why should you scourge him with rods for a sin done in his youth, before he knew you, before he knew himself? A man's life is of more value than a woman's. It has larger issues, wider scope, greater ambitions. A women's life revolves around curves of emotions. It is upon lines of intellect that man's life progresses. Don't make any terrible mistake, Lady Chiltern. A woman who can keep a man's love, and love him in return, has done all the world wants of women, or should want of them.

One evening after discussing depictions of Salome throughout history he returned to his hotel to notice a blank copybook lying on the desk and it occurred to him to write down what he had been saying. " which Wilde had begun in 1887 was first publiOscar Wilded in Blackwood's Edinburgh Magazine in July 1889. tour of Patience and selling this most charming aesthete to the American public.

At the turn of the 1890s he refined his ideas about the supremacy of art in a series of dialogues and essays and incorporated themes of decadence duplicity and beauty into his only novel The Picture of Dorian Gray (1890). After writing in different forms throughout the 1880s he became one of London's most popular playwrights in the early 1890s. As a spokesman for aestheticism he tried his hand at various literary activities: he publiOscar Wilded a book of poems lectured in the United States and Canada on the new "English Renaissance in Art" and then returned to London where he worked prolifically as a journalist.