Flannery O’Connor’s writing is quite dark, but it is so because she believes in the Devil, and in the Fall, and in humanity as it is. Novels that avoid the horror of human existence in this time between Eden and New Jerusalem can reinforce a Christian’s tendency to Pelagianism. The Christian gospel isn’t “clean” and “safe” and “family-friendly.” It comes to its narrative climax at a bloody Place of the Skull and in a borrowed grave.
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