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It should surprise no one that the life of the writer--such as it is--is colorless to the point of sensory deprivation. Many writers do little else but sit in small rooms recalling the real world. This explains why so many books describe the author's childhood. A writer's childhood may well have been the occasion of his only firsthand experience. Writers read literary biography, and surround themselves with other writers, deliberately to enforce in themselves the ludicrous notion that a reasonable option for occupying yourself on the planet until your life span plays itself out is sitting in a small room for the duration, in the company of pieces of paper.


Annie Dillard


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Encounters with Chinese Writers
Encounters with Chinese Writers (1984) is a work of journalism. Her 1974 work Pilgrim at Tinker Creek won the 1974 Pulitzer Prize for General Nonfiction. Its topics mirror the various chapters of the book and include "birth sand China clouds numbers Israel encounters thinker evil and now.

Her 1974 work Pilgrim at Tinker Creek won the 1974 Pulitzer Prize for General Nonfiction. She has publiAnnie Dillardd works of poetry essays prose and literary criticism as well as two novels and one memoir.

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