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The French called this time of day 'l'heure bleue.' To the English it was 'the gloaming.' The very word 'gloaming' reverberates, echoes - the gloaming, the glimmer, the glitter, the glisten, the glamour - carrying in its consonants the images of houses shuttering, gardens darkening, grass-lined rivers slipping through the shadows. During the blue nights you think the end of the day will never come. As the blue nights draw to a close (and they will, and they do) you experience an actual chill, an apprehension of illness, at the moment you first notice; the blue light is going, the days are already shortening, the summer is gone... Blue nights are the opposite of the dying of the brightness, but they are also its warning.


Joan Didion


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read like a novel. Didion wrote in her 2003 memoir Where I Was From that moving as often as her family did made her feel like a perpetual outsider. In the New York Times article Why I Write (1976) Didion remarks "To shift the structure of a sentence alters the meaning of that sentence as definitely and inflexibly as the position of a camera alters the meaning of the object photographed.

Joan Didion (born December 5 1934) is an American author best known for her novels and her literary journalism. A sense of anxiety or dread permeates much of her work.

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