In rereading one of the best essays I know on Dante's Paradiso, Giovanni Getto's "Aspetti della poesia di Dante" (Aspects of Dante's Poetry, 1947), one can see that there is not one single image of Paradise that does not stem from a tradition that was part of the medieval reader's heritage, I won't say of ideas, but of daily fantasies and feelings. It is from the biblical tradition and the church fathers that these radiances come from, these vortices of flame, these lamps, these suns, these brilliances and brightnesses emerging "like a horizon clearing" (Par. 14.69)...For medieval man, reading about this light and luminosity was equivalent to when we dream about the sinuous gracefulness of a movie star, the elegant lines of a car...It is this appeal to a poetry of understanding that can make the Paradiso fascinating even for the modern reader who has lost the reference points familiar to his medieval counterpart.

Eco has also written academic texts children's books and many essays. He is best known for his groundbreaking 1980 novel Il nome della rosa (The Name of the Rose) an intellectual mystery combining semiotics in fiction biblical analysis medieval studies and literary theory. Umberto Eco Knight Grand Cross (Italian pronunciation: [umˈbɛrto ˈɛko]; born 5 January 1932) is an Italian semiotician essayist philosopher literary critic and novelist.

His most recent novel Il cimitero di Praga (The Prague Cemetery) released in 2010 was a best-seller. Umberto Eco Knight Grand Cross (Italian pronunciation: [umˈbɛrto ˈɛko]; born 5 January 1932) is an Italian semiotician essayist philosopher literary critic and novelist. He is founder of the Dipartimento di Comunicazione at the University of the Republic of San Marino President of the Scuola Superiore di Studi Umanistici University of Bologna member of the Accademia dei Lincei (since November 2010) and an Honorary Fellow of Kellogg College University of Oxford.