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during this century (the twentieth) we have for the first time been dominated by non-interactive forms of entertainment: cinema, radio, recorded music and television. Before they came along all entertainment was interactive: theatre, music, sport - the performers and audience were there together, and even a respectfully silent audience exerted a powerful shaping presence on the unfolding of whatever drama they were there for. We didn't need a special word for interactivity in the same way that we don't (yet) need a special word for people with only one head. I expect that history will show "normal" mainstream twentieth century media to be the aberration in all this. 'Please, miss, you mean they could only just sit there and watch? They couldn't do anything? Didn't everybody feel terribly isolated or alienated or ignored?' Yes, child, that's why they all went mad. Before the Restoration.' What was the Restoration again, please, miss?' The end of the twentieth century, child. When we started to get interactivity back.


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The next year the radio series became the basis for a BBC television mini-series broadcast in six parts. When he died in 2001 in California he had been trying again to get the movie project started with Disney which had bought the rights in 1998. The screenplay finally got a posthumous re-write by Karey Kirkpatrick and the resulting movie was released in 2005.

". Adams also wrote Dirk Gently's Holistic Detective Agency (1987) and The Long Dark Tea-Time of the Soul (1988) and co-wrote The Meaning of Liff (1983) Last Chance to See (1990) and three stories for the television series Doctor Who. He was a staunch atheist famously imagining a sentient puddle who wakes up one morning and thinks "This is an interesting world I find myself in—an interesting hole I find myself in—fits me rather neatly doesn't it? In fact it fits me staggeringly well must have been made to have me in it!" to demonstrate his view that the fine-tuned Universe argument for God was a fallacy.

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