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The guillotine is the ultimate expression of Law, and its name is vengeance; it is not neutral, nor does it allow us to remain neutral. All social questions achieve their finality around that blade. The scaffold is an image. It is not merely a framework, a machine, a lifeless mechanism of wood, iron, and rope. It is as though it were a being having its own dark purpose, as though the framework saw, the machine listened, and the mechanism understood; as though that arrangement of wood and iron and rope expressed a will. In the hideous picture which its presence evokes it seems to be most terribly a part of what it does. It is the executioner's accomplice; it consumes, devouring flesh and drinking blood. It is a kind of monster created by the judge and the craftsman; a spectre seeming to live an awful life born of the death it deals.


Victor Hugo


#execution #executioner #france #scaffold #death



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Did you know about Victor Hugo?

The shortest correspondence in history is said to have been between Hugo and his publiVictor Hugor Hurst and Blackett in 1862. His last novel Quatre-vingt-treize (Ninety-Three) publiVictor Hugod in 1874 dealt with a subject that Hugo had previously avoided: the Reign of Terror during the French Revolution. Well over one thousand musical compositions have been inspired by Hugo's works from the 19th century until the present day.

Among many volumes of poetry Les Contemplations and La Légende des siècles stand particularly high in critical esteem. Victor Marie Hugo (French pronunciation: ​[viktɔʁ maʁi yɡo]; 26 February 1802 – 22 May 1885) was a French poet novelist and dramatist of the Romantic movement.

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