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We know the original relation of the theater and the cult of the Dead: the first actors separated themselves from the community by playing the role of the Dead: to make oneself up was to designate oneself as a body simultaneously living and dead: the whitened bust of the totemic theater, the man with the painted face in the Chinese theater, the rice-paste makeup of the Indian Katha-Kali, the Japanese No mask ... Now it is this same relation which I find in the Photograph; however 'lifelike' we strive to make it (and this frenzy to be lifelike can only be our mythic denial of an apprehension of death), Photography is a kind of primitive theater, a kind of Tableau Vivant, a figuration of the motionless and made-up face beneath which we see the dead.


Roland Barthes


#photography #theater #death



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Did you know about Roland Barthes?

In 1948 he returned to purely academic work gaining numerous short-term positions at institutes in France Romania and Egypt. e. Barthes continued to contribute with Philippe Sollers to the avant-garde literary magazine Tel Quel which was developing similar kinds of theoretical inquiry to that pursued in Barthes' writings.

Barthes' ideas explored a diverse range of fields and he influenced the development of schools of theory including structuralism semiotics social theory anthropology and post-structuralism.

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