We are left with nothing but death, the irreducible fact of our own mortality. Death after a long illness we can accept with resignation. Even accidental death we can ascribe to fate. But for a man to die of no apparent cause, for a man to die simply because he is a man, brings us so close to the invisible boundary between life and death that we no longer know which side we are on. Life becomes death, and it is as if this death has owned this life all along. Death without warning. Which is to say: life stops. And it can stop at any moment.

M. The common factor of both ideas is the question of the meaning of symbols for human beings. Paul Auster is heard reading from his books Hand to Mouth and The Red Notebook either as straight recitation integrated with other sounds as if in a radio play or passed through an electronically realized string resonator so that the low tones interact with those of a string ensemble.

Paul Benjamin Auster (born February 3 1947) is an American author whose writing blends absurdism existentialism crime fiction and the search for identity and personal meaning in works such as The New York Trilogy (1987) Moon Palace (1989) The Music of Chance (1990) The Book of Illusions (2002) and The Brooklyn Follies (2005).