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also in the boom of the big bell there is a quaintness of tone which wakens feelings, so strangely far-away from all the nineteenth-century part of me, that the faint blind stirrings of them make me afraid, - deliciously afraid. never do I hear that billowing peal but I become aware of a striving and a fluttering in the abyssal part of my ghost, - a sensation as of memories struggling to reach the light beyond the obscurations of a million million deaths and births. I hope to remain within hearing of that bell... and, considering the possibility of being doomed to the state of a jiki-ketsu-geki, I want to have my chance of being reborn in some bamboo flower-cup, or mizutame, whence I might issue softly, singing my thin and pungent song, to bite some people that I know.


Lafcadio Hearn


#mosquitoes #poignant #reincarnation #tongue-in-cheek #death



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Did you know about Lafcadio Hearn?

Some of his stories have been adapted by Ping Chong into his puppet theatre including the 1999 Kwaidan and the 2002 OBON: Tales of Moonlight and Rain. Hearn's life and works were celebrated in The Dream of a Summer Day a play that toured Ireland during April and May 2005 which was staged by the Storytellers Theatre Company and directed by Liam Halligan. Legacy
Admirers of Hearn's work have included Ben HechtJohn Erskine and Malcolm Cowley.

Patrick Lafcadio Hearn (27 June 1850 – 26 September 1904) known also by the Japanese name Koizumi Yakumo (小泉 八雲?) was an international writer known best for his books about Japan especially his collections of Japanese legends and ghost stories such as Kwaidan: Stories and Studies of Strange Things.

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