The law was made for one thing alone, for the exploitation of those who don't understand it, or are prevented by naked misery from obeying it.

He did short sketches in which he played refractory employees orchestral musicians or photographers who hated their employers and made them look ridiculous. At school in Augsburg he met Caspar Neher with whom he formed a lifelong creative partnership Neher designing many of the sets for Brecht's dramas and helping to forge the distinctive visual iconography of their epic theatre. In 1930 Brecht married Weigel; their daughter Barbara Brecht was born soon after the wedding.

A theatre practitioner of the 20th century Brecht made contributions to dramaturgy and theatrical production the latter through the tours undertaken by the Berliner Ensemble – the post-war theatre company operated by Brecht and his wife long-time collaborator and actress Helene Weigel.