The arrival in Paris, as grim as ever. The leprous façades of the Pont Cardinet flats, behind which one invariably imagines retired folk agonizing alongside their cat Poucette which is eating up half their pension with its Friskies. Those weird metal structures that indecently mount each other to form a grid of overhead wires. And the inevitable advertising hoardings flashing by, gaudy and repellent. ‘A gay and changing spectacle on the walls.’ Bullshit. Pure fucking bullshit.
