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I wondered straightaway how he could sit at peace there, of an evening, with the row of heads staring down at him. There were no pictures, no flowers: only the heads of chamois. The concession to melody was the radiogram and the stack of records of classical music. Foolishly, I had asked, "Why only chamois?" He answered at once, "They fear Man." This might have led to an argument about animals in general, domestic, wild, and those which adapt themselves to the whims and vagaries of the human race; but instead he changed the subject abruptly, put on a Sibelius record, and presently made love to me, intently but without emotion. I was surprised but pleased. I thought, "We are suited to one another. There will be no demands. Each of us will be self-contained and not beholden to the other." All this came true, but something was amiss. There was a flaw - not only the nonappearance of children, but a division of the spirit. The communion of flesh which brought us together was in reality a chasm, and I despised the bridge we made. Perhaps he did as well. I had been endeavouring for ten years to build for my self a ledge of safety. ("The Chamois")


Daphne du Maurier


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Did you know about Daphne du Maurier?

' Her stories read like classic tales of terror and suspense but written with a sure touch for character imagery and suggestive meaning. Christian (b. In the summer of 1943 Daphne du Maurier began writing the autobiographically inspired drama The Years Between about the unexpected return of a senior officer thought killed in action who finds that his wife has taken his seat as Member of Parliament and has started a romantic relationship with a local farmer.

eɪ/; 13 May 1907 – 19 April 1989) was an English author and playwright. : /ˈdæfni duː ˈmɒri. Her elder sister was the writer Angela du Maurier.

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