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I hope each of us owns the facts of her or his own life," Hughes wrote in a letter to the Independent in April, 1989, when he had been goaded by a particularly intrusive article. But, of course, as everyone knows who has ever heard a piece of gossip, we do not "own" the facts of our lives at all. This ownership passes out of our hands at birth, at the moment we are first observed. The organs of publicity that have proliferated in our time are only an extension and a magnification of society's fundamental and incorrigible nosiness. Our business is everybody's business, should anybody wish to make it so. The concept of privacy is a sort of screen to hide the fact that almost none is possible in a social universe. In any struggle between the public's inviolable right to be diverted and an individual's wish to be left alone, the public almost always prevails. After we are dead, the pretense that we may somehow be protected against the world's careless malice is abandoned. The branch of the law that putatively protects our good name against libel and slander withdraws from us indifferently. The dead cannot be libelled or slandered. They are without legal recourse.


Janet Malcolm


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This to her was a professional sin. She has resided in the United States since her family emigrated from Czechoslovakia in 1939. As reported in The New York Times the author "declared in an affidavit under penalty of perjury that the notes were genuine.

She is the author of Psychoanalysis: The Impossible Profession (1981) In the Freud Archives (1984) and The Journalist and the Murderer (1990). Janet Malcolm (born 1934) is an American writer and journalist on staff at The New Yorker magazine. " The influential critic Harold Bloom has praised her "wonderful exuberance" writing that Malcolm's books "transcend what they appear to be: superb reportage.

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