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Ieronym took hold of the cable with both hands, curved himself into a question mark, and grunted. The ferry creaked and lurched. The silhouette of the peasant in the tall hat slowly began to recede from me--which meant that the ferry was moving. Soon Ieronym straightened up and began working with one hand. We were silent and looked at the bank towards which we were now moving. There the "lumination" which the peasant had been waiting for was already beginning. At the water's edge, barrels of pitch blazed like huge bonfires. Their reflection, crimson as the rising moon, crept to meet us in long, wide stripes. The burning barrels threw light on their own smoke and on the long human shadows that flitted about the fire; but further to the sides and behind them, where the velvet ringing rushed from, was the same impenetrable darkness. Suddenly slashing it open, the golden ribbon of a rocket soared skywards; it described an arc and, as if shattering against the sky, burst and came sifting down in sparks. On the bank a noise was heard resembling a distant "hoorah." "How beautiful," I said. "It's even impossible to say how beautiful!" sighed Ieronym. "It's that kind of night, sir! At other times you don't pay attention to rockets, but now any vain thing makes you glad. Where are you from?


Anton Chekhov


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Did you know about Anton Chekhov?

"It's nice to be a lord" he joked to his friend Ivan Leontyev (who wrote humorous pieces under the pseudonym Shcheglov) but he took his responsibilities as a landlord seriously and soon made himself useful to the local peasants. As well as organising relief for victims of the famine and cholera outbreaks of 1892 he went on to build three schools a fire station and a clinic and to donate his medical services to peasants for miles around despite frequent recurrences of his tuberculosis. Suvorin was to become a lifelong friend perhaps Chekhov's closest.

His career as a dramatist produced four classics and his best short stories are held in high esteem by writers and critics. "
Chekhov renounced the theatre after the disastrous reception of The Seagull in 1896 but the play was revived to acclaim in 1898 by Constantin Stanislavski's Moscow Art Theatre which subsequently also produced Chekhov's Uncle Vanya and premiered his last two plays Three Sisters and The Cherry Orchard.

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