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Our forefathers were not only brave. I believe they were right. I believe that what they meant was that every man born had equal right to grow from scratch by way of his own power unhindered to the highest expression of himself possible to him. This of course not antagonistic by sympathetic to the growth of all men as brothers. Free emulation not imitation of the "bravest and the best" is to be expected of him. Uncommon he may and will and should become as inspiration to his fellows, not a reflection upon them, not to be resented but accepted--and in this lies the only condition of the common man's survival. So only is he intrinsic to democracy. Persistently holding quality above quantity only as he attempts to live a superior life of his own, and to whatsoever degree in whatever case he finds it; this is his virtue in a democracy such as ours was designed to be. Only this sense of proportion affords tranquility of spirit, in itself beauty, in either character of action. Nature is never other than serene even in a thunderstorm. The assumption of the "firm countenance, lips compressed" in denial or resentment is not known to her as it is known to civilization. Such negation by human countenance may be moral (civilization is inclined to morality) but even so not nature. Again exuberance is repose but never excess.


Frank Lloyd Wright


#beauty



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Did you know about Frank Lloyd Wright?

known as Lloyd Wright was also a notable architect in Los Angeles. Although neither of the affordable house plans were ever constructed Wright received increased requests for similar designs in following years. In 1909 even before the Robie House was completed Wright and Mamah Cheney went together to Europe leaving their own spouses and children behind.

Wright was a leader of the Prairie School movement of architecture and developed the concept of the Usonian home his unique vision for urban planning in the United States. Wright believed in designing structures which were in harmony with humanity and its environment a philosophy he called organic architecture. This philosophy was best exemplified by his design for Fallingwater (1935) which has been called "the best all-time work of American architecture".

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