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At the time of Lewis and Clark, setting the prairies on fire was a well-known signal that meant, ‘Come down to the water.’ It was an extravagant gesture, but we can’t do less. If the landscape reveals one certainty, it is that the extravagant gesture is the very stuff of creation. After the extravagant gesture of creation in the first place, the universe has continued to deal exclusively in extravagances, flinging intricacies and colossi down aeons of emptiness, heaping profusions on profligacies with ever fresh vigor. The whole show has been on fire from the word go. I come down to the water to cool my eyes. But everywhere I look, I see fire: that which isn’t flint is tinder, and the whole world sparks and flames.


Annie Dillard


#landscape #life #nature #wisdom #beauty



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Encounters with Chinese Writers
Encounters with Chinese Writers (1984) is a work of journalism. Her 1974 work Pilgrim at Tinker Creek won the 1974 Pulitzer Prize for General Nonfiction. Its topics mirror the various chapters of the book and include "birth sand China clouds numbers Israel encounters thinker evil and now.

Her 1974 work Pilgrim at Tinker Creek won the 1974 Pulitzer Prize for General Nonfiction. She has publiAnnie Dillardd works of poetry essays prose and literary criticism as well as two novels and one memoir.

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