What did one see if one looked in any depth into the world of this writer's fiction? Elegant self-control concealing from the world's eyes until the very last moment a state of inner disintegration and biological decay; sallow ugliness, sensuously marred and worsted, which nevertheless is able to fan its smouldering concupiscence to a pallid impotence, which from the glowing depths of the spirit draws strength to cast down a whole proud people at the foot of the Cross and set its own foot upon them as well; gracious poise and composure in the empty austere service of form; the false, dangerous life of the born deceiver, his ambition and his art which lead so soon to exhaustion ---

His analysis and critique of the European and German soul used modernized German and Biblical stories as well as the ideas of Goethe Nietzsche and Schopenhauer. " Nietzsche's influence on Mann runs deep in his work especially in Nietzsche's views on decay and the proposed fundamental connection between sickness and creativity. In 1942 the Mann family moved to Pacific Palisades in west Los Angeles California where they lived until after the end of World War II.

Mann was a member of the Hanseatic Mann family and portrayed his own family in the novel Buddenbrooks. His analysis and critique of the European and German soul used modernized German and Biblical stories as well as the ideas of Goethe Nietzsche and Schopenhauer. When Hitler came to power in 1933 Mann fled to Switzerland.