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Under the seeming disorder of the old city, wherever the old city is working successfully, is a marvelous order for maintaining the safety of the streets and the freedom of the city. It is a complex order. Its essence is intricacy of sidewalk use, bringing with it a constant succession of eyes. This order is all composed of movement and change, and although it is life, not art, we may fancifully call it the art form of the city and liken it to the dance — not to a simple-minded precision dance with everyone kicking up at the same time, twirling in unison and bowing off en masse, but to an intricate ballet in which the individual dancers and ensembles all have distinctive parts which miraculously reinforce each other and compose an orderly whole. The ballet of the good city sidewalk never repeats itself from place to place, and in any once place is always replete with new improvisations.


Jane Jacobs


#sociology #art



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PubliJane Jacobsd in 1980 and reprinted in 2011 with a previously unpubliJane Jacobsd 2005 interview on the subject Jacobs' book advances the view that Quebec's eventual independence is best for Montreal Toronto the rest of Canada and the world; and that such independence can be achieved peacefully. She calls these two patterns "Moral Syndrome A" or commercial moral syndrome and "Moral Syndrome B" or guardian moral syndrome. C.

She has been accused of inattention to racial inequality and her concept of "unslumming" has been compared with gentrification. As a female writer and mother who criticized experts in the male-dominated field of urban planning Jacobs endured scorn from establiJane Jacobsd figures who called her a "housewife" and a "crazy dame". Her influential book The Death and Life of Great American Cities (1961) argued that urban renewal did not respect the needs of most city-dwellers.

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