This is the way that it goes. In your mid forties you have your first crisis of mortality (death will not ignore me); and ten years later you have your first crisis of age (my body whispers that death is already intrigued by me). But something very interesting happens to you in between. As the fiftieth birthday approaches, you get that sense that your life is thinning out, and will continue to thin out, until it thins out into nothing. And you sometimes say to yourself; That went a bit quick. That went a bit quick. In certain moods you may want to put it a bit more forcefully. As in: OY!! That went a BIT FUCKING QUICK!!!.... Then fifty comes and goes, and fifty-one, and fifty-two. And life thickens out again. Because there is now an enormous and unsuspected presence within your being, like an undiscovered continent. This is the past.

Dead Babies (1975) more flippant in tone chronicles a few days in the lives of some friends who convene in a country house to take drugs. " He reports that he is disquieted by what he sees as increasingly undisguised hostility towards Israel and the United States. Other People: A Mystery Story (1981) about a young woman coming out of a coma was a transitional novel in that it was the first of Amis's to show authorial intervention in the narrative voice and highly artificed language in the heroine's descriptions of everyday objects which was said to be influenced by his contemporary Craig Raine's "Martian" school of poetry.

that constant demonstrating of his command of English" and that the "Amis-ness of Amis will be recognisable in any piece before he reaches his first full stop". He has thus been portrayed as the undisputed master of what the New York Times called "the new unpleasantness". Amis served as the Professor of Creative Writing at the Centre for New Writing at the University of Manchester until 2011.