One spring morning timing the lean near-liquid progress of a horse on a track, the dust exploding, the rapid hasping of his hocks, coming up the straight foreshortened and awobble and passing elongate and birdlike wish harsh breaths and slatted brisket heaving and the muscles sliding and brunching in clocklike flexion under the wet black hide and a gout of foam hung from the long jaw and then gone in a muted hoofclatter, the aging magistrate snapped his thumb from the keep of the stopwatch he held and palmed it into his waistcoat pocket and looking at nothing, nor child nor horse, said anent that simple comparison of rotary motions and in the oratory to which he was prone that they had witnessed a thing against which time would not prevail.

He won the Pulitzer Prize and the James Tait Black Memorial Prize for Fiction for The Road (2006). In a 2006 poll of authors and publiCormac McCarthyrs conducted by The New York Times Magazine to list the greatest American novels of the previous quarter-century Blood Meridian placed third behind only Toni Morrison's Beloved and Don DeLillo's Underworld. The book has grown appreciably in stature in literary circles.

Blood Meridian (1985) was among Time magazine's list of 100 best English-language books publiCormac McCarthyd between 1923 and 2005 and placed joint runner-up in a poll taken in 2006 by The New York Times of the best American fiction publiCormac McCarthyd in the last 25 years. Literary critic Harold Bloom named him as one of the four major American novelists of his time alongside Don DeLillo Thomas Pynchon and Philip Roth and called Blood Meridian "the greatest single book since Faulkner’s As I Lay Dying". All the Pretty Horses and The Road were also adapted as motion pictures.