Why are so many of us enspelled by myths and folk stories in this modern age? Why do we continue to tell the same old tales, over and over again? I think it's because these stories are not just fantasy. They're about real life. We've all encountered wicked wolves, found fairy godmothers, and faced trial by fire. We've all set off into unknown woods at one point in life or another. We've all had to learn to tell friend from foe and to be kind to crones by the side of the road. . . .

McKillip illustrated by Brian Froud
The Borderland Series New American Library Tor Books Harper Prism 1985 to present: a Young Adult shared-world series featuring the intersection between Elfland and human lands generally populated by teenagers runaways and exiles. She was a contributor to The Oxford Companion to Fairy Tales edited by Jack Zipes. Works


Fiction
"The Green Children" The Armless Maiden Tor Books 1995
The Wood Wife Tor Books 1996 (winner of the Mythopoeic Award)
"The Color of Angels" The Horns of Elfland New American Library 1997
The Raven Queen with Ellen Steiber Random House 1999
The Changeling Random House 1995
The Old Oak Wood Series Simon & Schuster (illustrated by Wendy Froud):

A Midsummer Night's Faery Tale 1999
The Winter Child 2000
The Faeries of Spring Cottage 2001

"Red Rock" Century Magazine 2000
The Moon Wife Tor Books forthcoming 2012
Little Owl Viking forthcoming 2012


Nonfiction
"Surviving Childhood" The Armless Maiden Tor Books 1995
"Transformations" Mirror Mirror on the Wall: Women Writers Explore Their Favorite Fairy Tales (Expanded Edition) Anchor 1998
Co-writer and editor of Brian Froud's Good Faeries/Bad Faeries Simon & Schuster 2000
"On Tolkien and Fairy Stories" Meditations on Middle-Earth St.

As an artist Windling specializes in work inspired by myth folklore and fairy tales. She received the Solstice Award in 2010 which honors "individuals with a significant impact on the speculative fiction field. She was a contributor to The Oxford Companion to Fairy Tales edited by Jack Zipes.