GUIL: It [Hamlet's madness] really boils down to symptoms. Pregnant replies, mystic allusions, mistaken identities, arguing his father is his mother, that sort of thing; intimations of suicide, forgoing of exercise, loss of mirth, hints of claustrophobia not to say delusions of imprisonment; invocations of camels, chameleons, capons, whales, weasels, hawks, handsaws -- riddles, quibbles and evasions; amnesia, paranoia, myopia; day-dreaming, hallucinations; stabbing his elders, abusing his parents, insulting his lover, and appearing hatless in public -- knock-kneed, droop-stockinged and sighing like a love-sick schoolboy, which at his age is coming on a bit strong. ROS: And talking to himself. GUIL: And talking to himself.

"I fairly often find I'm with people who forget I don't quite belong in the world we're in" he says. In 2008 Stoppard was voted the number 76 on the Time 100 Time magazine's list of the most influential people in the world. " He acknowledges that he started off "as a language nerd" primarily enjoying linguistic and ideological playfulness feeling early in his career that journalism was far better suited for presaging political change than playwriting.

Sir Tom Stoppard OM CBE FRSL (born Tomáš Straussler; 3 July 1937) is a Czech-born British playwright knighted in 1997. Themes of human rights censorship and political freedom pervade his work along with exploration of linguistics and philosophy. He co-wrote the screenplays for Brazil and Shakespeare in Love and has received one Academy Award and four Tony Awards.