I think about that "empty" space a lot. That emptiness is what allows for something to actually evolve in a natural way. I've had to learn that over the years - because one of the traps of being an artist is to always want to be creating, always wanting to produce.

No. ) Meredith Monk (Johns Hopkins University Press 1997)


Works


Instrumental works
Paris for solo piano (1973)
Acts from under and above Ellis Island for two pianos (1986)
Window in 7's for solo piano (1986)
Parlour Games for two pianos (1988)
Phantom Waltz for two pianos (1990)
St. " Directed by Peter Greenaway.

Since the 1960s Monk has created multi-disciplinary works which combine music theatre and dance recording extensively for ECM Records.