Robert Fripp

If an apprentice does not hear what a master hears, is then that quality not present in the music? Yes and no. In the world in which the apprentice lives no. ↗

— Robert Fripp

#does #hear #hears #lives #master

If you are playing repertoire material, you're stuck. There's not huge amounts you can do. ↗

— Robert Fripp

#huge amounts #material #playing #repertoire #stuck

The spoken form is in fact a very restrained representation of what is possible in the musical language. ↗

— Robert Fripp

#form #in fact #language #musical #possible

Then certainly for a musician timing becomes something that is immediately accessible as a concept, because it's a necessity in ones everyday performance. ↗

— Robert Fripp

#because #becomes #certainly #concept #everyday

To me, Bill's musical heart is in Earthworks, in the jazz they are playing, in the acoustic kit. ↗

— Robert Fripp

#bill #heart #jazz #kit #me

What is necessary is possible, what we want is expensive. What is unnecessary is unlikely. ↗

— Robert Fripp

#necessary #possible #unlikely #unnecessary #want

I'd say that what we hear is the quality of our listening. ↗

— Robert Fripp

#i #listening #our #quality #say

The perception of the audience is the interesting part. If the audience doesn't hear what is going on, is it going on or not? ↗

— Robert Fripp

#going #hear #interesting #part #perception

There are no mistakes, save one: the failure to learn from a mistake. ↗

— Robert Fripp

#learn #mistake #mistakes #save