Richard Serra

Basically, what you really want to do is try to engage the viewer's body relation to his thinking and walking and looking, without being overly heavy-handed about it. ↗

— Richard Serra

#basically #being #body #engage #heavy-handed

But I don't think of any particular viewer in mind other than myself. ↗

— Richard Serra

#i #mind #myself #other #particular

But I'll try to immerse myself in as many of the formal characteristics of site as possible in the landscape. ↗

— Richard Serra

#formal #i #immerse #landscape #many

I started working for Bethlehem Steel when I was about 16 during the summers. ↗

— Richard Serra

#bethlehem #during #i #started #steel

I think different people have different problems and different relations to the exhibition of their work. ↗

— Richard Serra

#different people #exhibition #i #i think #people

I think this, I think basically I'm not interested in people following my work or making work like my work. ↗

— Richard Serra

#following #i #i think #interested #like

I think you always have to find where the boundary is in relation to the context in order to be able to kind of articulate how you want the space to interact with the viewer. ↗

— Richard Serra

#always #articulate #boundary #context #find

I thought Out of Action was better as a catalogue than the honeycomb because the honeycomb was like walking into one compartment and then another compartment. ↗

— Richard Serra

#another #because #better #catalogue #i

I used to eat lunch with Billy Wilder when I first came out here. ↗

— Richard Serra

#billy wilder #came #eat #first #here

Now when you have administrators deciding what sexuality is, and what's a taboo and what's not in terms of content, you got guys, like, Trent Lott who equates homosexuality with a disease. ↗

— Richard Serra

#content #deciding #disease #equates #got