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Lee Konitz

Read through the most famous quotes from Lee Konitz




A lot of bands were doing remotes from ballrooms around the country.


— Lee Konitz


#ballrooms #bands #country #doing #lot

After playing now for 60 years, it's still very challenging for me to play a simple melody and have it clean and touch the reed at the proper time in the proper way.


— Lee Konitz


#challenging #clean #me #melody #now

As long as there are people trying to play music in a sincere way, there will be some jazz.


— Lee Konitz


#long #music #people #play #play music

Benny Goodman was one of the big influences as a clarinet player. That's why I wanted the clarinet.


— Lee Konitz


#big #clarinet #goodman #i #influences

Bernstein grew up in my building in New York. He's a very, very fine player. When he was a kid, he came by to find out what was going on in the world of jazz.


— Lee Konitz


#building #came #find #fine #going

I always felt as a horn player, a jam session wasn't satisfying enough for me. I should have been a rhythm section player, actually.


— Lee Konitz


#always #been #enough #felt #horn

I could stop and say, Well that was a D minor, G seven, but I really don't want to know that. I just want to know that there's a combination of notes that makes a sound.


— Lee Konitz


#could #i #just #know #makes

I have been able to get a small audience. It's not the huge audience, but it's enough to make it possible to play. I appreciate that.


— Lee Konitz


#appreciate #audience #been #enough #get

I hear many extra-musical things somehow in Coltrane.


— Lee Konitz


#hear #i #many #somehow #things

A first love always occupies a special place.


— Lee Konitz


#first #first love #love #love always #occupies






About Lee Konitz

Lee Konitz Quotes




Did you know about Lee Konitz?

In the early 1950s Konitz recorded and toured with Stan Kenton's orchestra but continued to record under his own name. The presence of Konitz and other white musicians in the group angered some black jazz players many of whom were unemployed at the time but Davis rebuffed their criticisms. Between 1945 and 1947 he worked off and on with Jerry Wald.

Konitz's association with the Cool Jazz movement of the 1940s and 50s includes participation in Miles Davis' Birth of the Cool sessions and his work with Lennie Tristano came from the same period. Paul Desmond and especially Art Pepper were strongly influenced by Konitz.

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