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    Kathryn Bigelow

    Read through the most famous quotes from Kathryn Bigelow




    On the other hand, I believe there's hope, because the breakdown and the repair are happening simultaneously. ↗


    — Kathryn Bigelow

    #believe #breakdown #hand #happening #hope

    Cinema has the capacity to be so physiological. ↗


    — Kathryn Bigelow

    #cinema #physiological

    I can't stand outside myself and be anybody else. ↗


    — Kathryn Bigelow

    #else #i #myself #outside #stand

    I don't want to be made pacified or made comfortable. I like stuff that gets your adrenaline going. ↗


    — Kathryn Bigelow

    #comfortable #gets #going #i #like

    I like to be strong. ↗


    — Kathryn Bigelow

    #i #like #strong

    I need to have my hands on the DNA of a film. ↗


    — Kathryn Bigelow

    #film #hands #i #need

    If there's specific resistance to women making movies, I just choose to ignore that as an obstacle for two reasons: I can't change my gender, and I refuse to stop making movies. ↗


    — Kathryn Bigelow

    #choose #gender #i #ignore #just

    One should make morals judgements for oneself. ↗


    — Kathryn Bigelow

    #make #morals #oneself #should

    Whereas painting is a more rarefied art form, with a limited audience, I recognized film as this extraordinary social tool that could reach tremendous numbers of people. ↗


    — Kathryn Bigelow

    #art form #audience #could #extraordinary #film

    For some individuals - some soldiers, some contractors - combat provides a kind of purpose and meaning beyond which all else potentially pales in comparison. ↗


    — Kathryn Bigelow

    #combat #comparison #contractors #else #individuals






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    Did you know about Kathryn Bigelow?

    Her first full-length feature was The Loveless (1982) a biker film which Kathryn Bigelow co-directed with Monty Montgomery and featured Willem Dafoe in his first starring role. " Bigelow asked her actors to actually beat and bludgeon each other throughout the film’s all-night shoot. One critic has gone further with his criticism of Bigelow by alleging that such depictions are justifications of torture and wars.

    Her films include Near Dark (1987) Point Break (1991) Strange Days (1995) The Weight of Water (2000) K-19: The Widowmaker (2002) The Hurt Locker (2008) and Zero Dark Thirty (2012). In April 2010 Bigelow was named to the Time 100 list of most influential people of the year. The Hurt Locker won the 2009 Academy Award for Best Picture won the BAFTA Award for Best Film and was nominated for the 2009 Golden Globe Award for Best Drama.

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