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Edward Hopper

Read through the most famous quotes from Edward Hopper




I find linseed oil and white lead the most satisfactory mediums.


— Edward Hopper


#i #lead #mediums #most #oil

If you could say it in words there would be no reason to paint.


— Edward Hopper


#no reason #paint #reason #say #words

I trust Winsor and Newton and I paint directly upon it.


— Edward Hopper


#i #newton #paint #trust #upon

I use a retouching varnish which is made in France, Libert, and that's all the varnish I use.


— Edward Hopper


#i #made #use #which

If I had the energy, I would have done it all over the county.


— Edward Hopper


#done #energy #had #i #over

If the picture needs varnishing later, I allow a restorer to do that, if there's any restoring necessary.


— Edward Hopper


#any #i #later #necessary #needs

In its most limited sense, modern, art would seem to concern itself only with the technical innovations of the period.


— Edward Hopper


#concern #innovations #itself #limited #modern

My aim in painting has always been the most exact transcription possible of my most intimate impression of nature.


— Edward Hopper


#always #been #exact #impression #intimate

Painting will have to deal more fully and less obliquely with life and nature's phenomena before it can again become great.


— Edward Hopper


#become #before #deal #fully #great

The question of the value of nationality in art is perhaps unsolvable.


— Edward Hopper


#nationality #perhaps #question #unsolvable #value






About Edward Hopper

Edward Hopper Quotes




Did you know about Edward Hopper?

Winner of the 2009 Umhoefer Prize for Achievement in the Arts and Humanities. She reported later “I guess I never met a more misanthropic grumpy individual in my life. Other significant paintings by Hopper are held by the Museum of Modern Art in New York The Des Moines Art Center and the Art Institute of Chicago.

While he was most popularly known for his oil paintings he was equally proficient as a watercolorist and printmaker in etching. Both in his urban and rural scenes his spare and finely calculated renderings reflected his personal vision of modern American life.

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