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    Bernard Berenson

    Read through the most famous quotes from Bernard Berenson




    A complete life may be one ending in so full identification with the non-self that there is no self to die. ↗


    — Bernard Berenson

    #inspirational #life #death

    A complete life may be one ending in so full an identification with the oneself that there is no self left to die. ↗


    — Bernard Berenson

    #die #ending #full #identification #left

    Consistency requires you to be as ignorant today as you were a year ago. ↗


    — Bernard Berenson

    #consistency #ignorant #requires #today #were

    Genius is the capacity for productive reaction against one's training. ↗


    — Bernard Berenson

    #capacity #genius #productive #reaction #training

    I would I could stand on a busy corner, hat in hand, and beg people to throw me all their wasted hours. ↗


    — Bernard Berenson

    #busy #corner #could #hand #hat

    Between truth and the search for it, I choose the second. ↗


    — Bernard Berenson

    #choose #i #search #second #truth

    Boast is always a cry of despair, except in the young it is a cry of hope. ↗


    — Bernard Berenson

    #boast #cry #despair #except #hope

    Miracles happen to those who believe in them. ↗


    — Bernard Berenson

    #happen #miracles #them #those #who

    Life has taught me that it is not for our faults that we are disliked and even hated, but for our qualities. ↗


    — Bernard Berenson

    #even #faults #hated #life #me

    Psychoanalysts are not occupied with the minds of their patients; they do not believe in the mind but in a cerebral intestine. ↗


    — Bernard Berenson

    #cerebral #intestine #mind #minds #occupied






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    Did you know about Bernard Berenson?

    Duveen mustered Berenson's and other experts' support for his opinion dismissing Hahn's painting as a copy. In 1923 Berenson was called to give expert witness in a famous case brought by Andrée Hahn against Duveen. Works
    Venetian Painters of the Renaissance (1894)
    Lorenzo Lotto: An Essay in Constructive Art Criticism (1895)
    Florentine Painters of the Renaissance (1896)
    Central Italian Painters of the Renaissance (1897)
    The Sense of Quality: Study and Criticism of Italian Art (1901; second series 1902)
    The Drawings of the Florentine Painters (1903) his masterpiece[citation needed]
    North Italian Painters of the Renaissance (1907)
    A Sienese Painter of the Franciscan Legend (1910)
    Venetian Painting in America: The Fifteenth Century (New York 1916)
    Essays in the Study of Sienese Painting (New York 1918)
    Aesthetics ethics and history in the arts of visual representation (Estetica Etica e Storia nelle Arti della Rappresentazione Visiva) (1948)
    The Italian Painters Of The Renaissance (1952)
    Rumor and Reflection (New York 1952)
    Caravaggio: his incongruity and his fame (1953)
    Seeing and Knowing New York Graphic Society Ltd.

    He was a major figure in pioneering art attribution and therefore establishing the market for paintings by the "Old Masters".

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