Andrzej Wajda

(...) a director should tell a story that is close to his own existential experience. ↗

— Andrzej Wajda

#storytelling #experience

At the same time, television theatre became more visibly active. ↗

— Andrzej Wajda

#became #more #same #television #theatre

In Europe, there is no television filmmaking legislation that could assist film production because private broadcasters are not interested in supporting Polish film. ↗

— Andrzej Wajda

#because #broadcasters #could #europe #film

Even better, there were established two separate committees deciding on state film funding. ↗

— Andrzej Wajda

#committees #deciding #established #even #film

Films made in the spirit of the past continued to be made. ↗

— Andrzej Wajda

#films #made #past #spirit

However, that old mode of Polish filmmaking virtually disappeared. ↗

— Andrzej Wajda

#filmmaking #however #mode #old #polish

Cinemas gained new young audiences who wanted films made for them. ↗

— Andrzej Wajda

#cinemas #films #gained #made #new

In the first years after 1989, films were partly financed from the state's budget as well as by public television. Still, except for a few special cases, most films are made this way. ↗

— Andrzej Wajda

#budget #cases #except #few #films

In the first years after the systemic transition, our screens showed American entertainment that had not been available before, or had been available only sporadically. ↗

— Andrzej Wajda

#american #available #been #before #entertainment

As I said earlier, there are no writers who could create a literary vision of the new reality. ↗

— Andrzej Wajda

#create #earlier #i #literary #new