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Adolf Loos

Read through the most famous quotes from Adolf Loos




Architecture arouses sentiments in man. The architect's task therefore, is to make those sentiments more precise.


— Adolf Loos


#architect #arouses #make #man #more

Be truthful, nature only sides with truth.


— Adolf Loos


#only #sides #truth #truthful

Be not afraid of being called un-fashionable.


— Adolf Loos


#being #called

Man loves everything that satisfies his comfort. He hates everything that wants to draw him out of his acquired and secured position and that disturbs him. Thus he loves the house and hates art.


— Adolf Loos


#art #comfort #disturbs #draw #everything

Supply and demand regulate architectural form.


— Adolf Loos


#demand #form #regulate #supply

It does not do to use it with forms whose origin is intimately bound up with a specific material simply because no technical difficulties stand in the way.


— Adolf Loos


#bound #difficulties #does #forms #intimately

The house has to please everyone, contrary to the work of art which does not. The work is a private matter for the artist. The house is not.


— Adolf Loos


#art #artist #contrary #does #everyone

The house has to serve comfort. The work of art is revolutionary; the house is conservative.


— Adolf Loos


#comfort #conservative #house #revolutionary #serve

The law courts must appear as a threatening gesture toward secret vice. The bank must declare: here your money is secure and well looked after by honest people.


— Adolf Loos


#appear #bank #courts #declare #gesture

The Potemkin city of which I wish to speak here is none other than our dear Vienna herself.


— Adolf Loos


#dear #here #herself #i #i wish






About Adolf Loos

Adolf Loos Quotes




Did you know about Adolf Loos?

Louis and did odd jobs in New York.  
Gravagnuolo Benedetto (1995).  204.

In this and many other essays he contributed to the elaboration of a body of theory and criticism of Modernism in architecture. He was influential in European Modern architecture and in his essay Ornament and Crime he abandoned the aesthetic principles of the Vienna Secession.

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